Dolphy Out To Lunch Rar
Selection 1: Feathers (Hale Smith)
https://londonjazzcollector.files.wordpress.com/2013/05/temp0-428.mp3Selection 2: Serene (Dolphy)
https://londonjazzcollector.files.wordpress.com/2013/05/temp0-428.mp3Here you can download dolphy lunch shared files that we have found in our database: Otomo Yoshihide's New Jazz Orchestra plays eric dolphy's out to lunch ['05].rar from mediafire.com 84.05 MB, Eric Dolphy - Out to Lunch! - 1964 - FLAC.zip.001 from mediafire.com 200 MB, Eric Dolphy - Out to Lunch! - 1964 - FLAC.zip.002 from mediafire.com 40.13.
Something both malevolant and beautiful about the avant-garde’s treatment of tenderness, peace and tranquility, exposing flashes of barely concealed danger, somewhere Freddie Krueger is loose in Snow White’s boudoir.
- Out to lunch, is a classic with great tunes and excellent instrumentation with Bobby Hutcherson's vibes the icing on the cake to this superb LP. Still sounds like nothing else.
- Eric Dolphy - Out to Lunch! * Eric Dolphy — bass clarinet (1 & 2), flute (3), alto saxophone (4 & 5) * Bobby Hutcherson — vibraphone.
Artists
Eric Dolphy (as, bcl, fl, cl) Ron Carter (vc) George Duvivier (b) Roy Haynes (d) recorded Rudy Van Gelder Studio, Englewood Cliffs, NJ, August 15, 1960
Year: context 1960
Wanting to join the exclusive nuclear club, France tests its first atomic bomb, in the Sahara Desert. Luckily most Saharans were out, returning home only to find the place looked like a bomb had hit it. Sand everywhere. After cleaning up the mess, Sahara joins the growing Campaign for Nuclear Disarmament.
Music:
A month after recording with Mingus at Antibes, Out There is Dolphy’s second album as leader, the follow up to Outward Bound.
Dolphy stands uniquely original with his veritable arsenal of wind instruments – alto, bass clarinet, flute, b-flat clarinet, Kalashnikov AK-47. Not content with mayhem in the lead instrument department Dolphy doubles up in the bass department, bringing in Ron Carter on cello beside George Duvivier on bass, and just to confuse everyone, the unflappable swing drummer, Roy Haynes. Even before the needle hits the groove you know you are going to be in for an unpredictable listening experience. This was one of the few records I have been initially frightened to play, listening in safety from behind the sofa.
One can only imagine how strange it must have sounded to audiences in 1960, not previously exposed to such eclecticism. Nowadays we think we have heard it all, but not like this.Released three years before Dolphy let loose the avant-garde bible Out to Lunch, Out There is more ambitious and jagged than Outward Bound. Compared with the music around it in 1960, it is an unusual album by any standard, approaching tonality in a non-linear and harshly harmonic way few others, before or after, have ever attempted.
Vinyl: Esquire 32-153 UK first release
For once, Esquire may have got it right in the musician-as-hero alternative cover department.
It’s a change from their usual budget-typography-and-graphics, homing in on the persona of Dolphy at play rather than Prestige’s choice of surrealist painting, though that too seems quite fitting to the music in its own way. Unfortunately, it is very hard to find – affordably, as an original.
Like all other Esquire 32-000 series, it is pressed with original Prestige metalwork – an RVG master – though no indication of the US manufacturer, no AB. The bonus, as a UK pressing, it is free from the risk of recycled vinyl contamination which marrs some original New Jazz pressings.
Rear cover conforms to the expected chronology, of later Esquire first pressings
Collector’s Corner
.
Source:
London record store in the fashionable West of London still awaiting delivery of its “LJC Shops Here” blue plaque. An unexpected find, one of the rare pleasures of flicking through shelves of lesser works, stops you in your tracks, however, inflicting some pain in the credit card department. You wouldn’t expect fine champagne for the ears for the price of a can of lager would you? The store manager knows his stuff. Unfortunately.
Postscript:
Latest comment in a record 89 SPAM posts received in one day at LJC
Appreciating the time and energy you put into your site and detailed information you present. It’s great to come across a blog every once in a while that isn’t the same out of date rehashed material.Excellent read! (Professional teeth whitening strips)
and 88 others. It’s all true.Thank you, thank you so much.
LJC
| Out to Lunch! | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 1964[1] | |||
| Recorded | February 25, 1964 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, New Jersey | |||
| Genre | Avant-garde jazz, free jazz, Third Stream | |||
| Length | 42:31 | |||
| Label | Blue Note | |||
| Producer | Alfred Lion | |||
| Eric Dolphy chronology | ||||
| ||||
Eric Dolphy Out To Lunch Vinyl
Out to Lunch! is a 1964 album by jazz multi-instrumentalist Eric Dolphy. His only recording for Blue Note as a leader, it was originally issued as BLP 4163 and BST 84163. Today it is generally considered one of the finest albums in the label's history, as well as one of the high points in 1960s avant-garde jazz and in Dolphy's discography.[2]
Tony Williams had turned 18 a few months before this recording, and is listed as 'Anthony Williams' on the album cover.
A few months after recording the album, Dolphy completed a European tour with Charles Mingus. He died shortly thereafter of diabetic shock.
Music[edit]
The title of the album's first track, 'Hat and Beard', refers to Thelonious Monk; the song contains a percussive interlude featuring Tony Williams and Bobby Hutcherson. 'Something Sweet, Something Tender' includes a duet between Richard Davis on bass and Dolphy on bass clarinet. The third composition, 'Gazzelloni', was named after classical flautist Severino Gazzelloni, but is actually the album's most conventional, bop-based theme. The second side features two long pieces for alto saxophone: the title track, and 'Straight Up and Down', intended, according to the original liner notes, to evoke a drunken stagger.In late 2013, two previously unissued performances were released on Toshiba EMI TYCJ-81013 in Japan. These are alternate takes of the two bass clarinet tunes 'Hat and Beard', and 'Something Sweet, Something Tender'.
Critical reception[edit]
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | [3] |
| The Rolling Stone Jazz Record Guide | [4] |
The Penguin Guide to Jazz selected this album as part of its suggested 'Core Collection' and awarded it a 'crown', stating, 'If it is a masterpiece, then it is not so much a flawed as a slightly tentative masterpiece.'[5] The album was identified by Chris Kelsey in his AllMusic essay 'Free Jazz: A Subjective History' as one of the 20 Essential Free Jazz Albums.[6]
Track listing[edit]
All compositions by Eric Dolphy.
Eric Dolphy Out To Lunch Rar
- 'Hat and Beard' – 8:24
- 'Something Sweet, Something Tender' – 6:02
- 'Gazzelloni' – 7:22
- 'Out to Lunch' – 12:06
- 'Straight Up and Down' – 8:19
Bonus tracks on 2013 Japanese limited SHM-CD:
- 'Hat and Beard (alt. take)' - 8:35
- 'Something Sweet, Something Tender (alt. take)' - 5:42
Personnel[edit]
- Eric Dolphy – bass clarinet (1 & 2), flute (3), alto saxophone (4 & 5)
- Freddie Hubbard – trumpet
- Bobby Hutcherson – vibraphone
- Richard Davis – bass
- Tony Williams – drums
Joyce Mordecai Eric Dolphy Out To Lunch
References[edit]
- ^Inc, Nielsen Business Media (29 August 1964). 'Billboard'. Nielsen Business Media, Inc. Retrieved 26 May 2018 – via Google Books.
- ^Jazz, All About. 'Eric Dolphy: Eric Dolphy: Out to Lunch'. All About Jazz. Retrieved 26 May 2018.
- ^Allmusic review
- ^Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 62. ISBN0-394-72643-X.
- ^Cook, Richard; Brian Morton (2006). 'Eric Dolphy'. The Penguin Guide to Jazz Recordings (8th. ed.). New York: Penguin. p. 359. ISBN0-14-102327-9.
- ^Kelsey, ChrisFree Jazz: A Subjective History accessed December 7, 2009
External links[edit]
- Out to Lunch! at All About Jazz